An Acoustic Evening with John Hiatt
with special guest Colin Elmore
DateNov 17, 2019
Ticket PricesPrices begin at $25.00
On SaleOn Sale Now
Special OffersStudent Rush Offer for An Acoustic Evening with John Hiatt
GroupsGroups of 10+ receive 10% off, plus one complimentary ticket. Valid on select price zones.
“You know how writing goes for me,” John Hiatt says, offering a glimpse into his creative process. “I get a couple of lines going, and then I just tag along as the songs start to reveal themselves. You’ve just gotta jump inside and take the ride.”
Hiatt has been on that ride—as have we all, tagging along right beside him—for more than four decades now. In fact, since the release of his 1974 debut, Hangin’ Around the Observatory, rarely has more than a year or two passed without a new Hiatt collection hitting the shelves. But after wrapping up a year of touring in support of 2014’s Terms of My Surrender—the singer-songwriter’s 22nd studio effort overall—he found himself, for the first time in a long time, unsure of what would come next.
During this period of transition Hiatt did manage to compose a new song—a dusty, road-worn meditation titled “Robber’s Highway.” But the lyrics he penned (“I had words, chords and strings / now I don’t have any of these things”) sounded almost ominously prophetic. “I was just thinking in terms of somebody who’s out there hammerin’ away with his music, wondering what it’s all coming to,” Hiatt explains. “And maybe the songs just aren’t there anymore…”
Fast-forward a few years, however, and it’s clear that, for Hiatt at least, the songs are still very much there. And The Eclipse Sessions, his newest collection, offers up his strongest set of ‘em in years. Long celebrated as a skilled storyteller and keen observer of life’s twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. And the 11 tracks presented here, from the breezy opener “Cry to Me,” to the stark “Nothing in My Heart,” the lost-love lamentation “Aces Up Your Sleeve” to the rollicking “Poor Imitation of God,” demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry.
Directions & Parking
A special preferred parking rate of only $5* is available for our patrons in our designated garage.
7th Street Station Parking Garage
Enter on 6th or 7th Streets between N. College and N. Brevard Streets.
*The $5 rate is applicable when parked in the garage after 5pm on weekdays, Mon – Fri. If parked in the garage before 5pm, the $5 rate is void. There is no time restriction for the weekend, Sat & Sun.
GETTING AND USING YOUR PARKING PASS WHEN YOU ARRIVE
- Pull the garage entry ticket when you arrive at the designated garage. You will need this to exit!
- Purchase a $5 Blumenthal exit pass at the theater or purchase in advance online. If you would rather purchase by phone, please call 704.335.1010*
WHEN YOU EXIT
- Insert your garage entry ticket into the yellow slot. Amount due will display on the screen.
- Insert your Blumenthal exit pass in the same yellow slot, with arrow pointing at slot.
- Gate arm will rise and screen will display “drive safely.”
*Pre-paid parking is not available day of show.
McGlohon Theater at Spirit Square seats 730 and has become a showplace for live performances.
Uptown’s only historic theater, McGlohon Theater was originally the First Baptist Church sanctuary. The venue was carefully restored and opened in 1980. With its stained glass windows and Byzantine dome, this historically designated space makes each event a memorable experience. McGlohon Theater features the orchestra (stage) level and the balcony level.
The theater is named in honor of the late, legendary jazz pianist Loonis McGlohon of Charlotte.