SPIKE LEE needs no introduction. In person, the provocateur and media icon is never at a loss for words. As one of the most outspoken African American voices, he talks candidly, and with authority, about issues of race in mainstream media and Hollywood, using as a backdrop a rare behind-the-scenes look at his celebrated body of work.
Lee is an American film director, producer, writer, and actor. You already know the Academy Award-winning BlacKkKlansman, which was called his best film in a decade, taking viewers on a journey into “White America’s heart of darkness” (New York Times). You know and love the classic Do the Right Thing, and the Cannes’ favourite Jungle Fever. You cheered at Malcolm X, screamed during Summer of Sam, and felt enraged and empathetic watching When the Levees Broke, his Peabody-winning HBO documentary on Hurricane Katrina. You know the Nike Air Jordan ads. He’s one of the most influential directors of his generation. But do you really know Spike Lee?
Rumor has it that Shelton Jackson Lee was nicknamed “Spike” by his mother because he was so tough. Though born in Atlanta, Lee grew up in Brooklyn—the future setting for many of his films. Studying film at NYU’s Tisch School of the Arts, Lee made a thesis film, Joe’s Bed-Stuy Barbershop: We Cut Heads, which became the first student film ever to be showcased in the Lincoln Center’s New directors New Films Festival. His first feature, She’s Gotta Have It, shot on just $175,000, grossed over seven million at the box office. Lee has since produced and directed countless movies—or, as they’re known in the vernacular, “Spike Lee Joints.” He’s also penned a dozen screenplays, and appeared in everything from his own Clockers to Saturday Night Live. Four of his films have been inducted into the National Film Registry, securing their permanent place in the Library of Congress for being “historically, culturally, or aesthetically significant.” In 2020, it was announced that Lee will lead this year's Cannes Film Festival jury, making history as the first black person ever to do so in its 73 years of existence.
In person, the provocateur and media icon is never at a loss for words. As one of the most outspoken African American voices, he talks candidly, and with authority, about issues of race in mainstream media and Hollywood, using, as a backdrop, a rare behind-the-scenes look at his celebrated body of work, whose images of racial division and understanding have ingrained themselves on the popular consciousness for decades now.
Directions & Parking
A special preferred parking rate of only $5* is available for our patrons in our designated garage.
Bank of America Center Parking Garage
Entrances at: 150 N. College St. and 290 E. 5th St.
The $5 rate is applicable when parked in the garage after 5pm on weekdays, Mon – Fri. If parked in the garage before 5pm, the $5 rate is void. There is no time restriction for the weekend, Sat & Sun.
Getting and Using Your Parking Pass When You Arrive
- Pull the garage entry ticket when you arrive at the designated garage. You will need this to exit!
- Purchase a $5 Blumenthal exit pass at the theater or >click here to purchase in advance online. If you would rather purchase by phone, please call 704.335.1010*
When You Exit
- Insert your garage entry ticket into the yellow slot. Amount due will display on the screen.
- Insert your Blumenthal exit pass in the same yellow slot, with the arrow pointing at slot.
- Gate arm will rise and the screen will display “drive safely.”
*Pre-paid parking is not available day of show.
>PURCHASE YOUR PARKING EXIT PASS IN ADVANCE
Belk Theater features state-of-the-art equipment, production and support capabilities and can host any event, from grand opera to rock to corporate annual meetings and lectures.
The theater features a contemporary European horseshoe arrangement for an intimate atmosphere and world-class acoustics. The most distant seat is less than 135 feet from the stage.
A hallmark of the theater’s design is some 2,400 “points of light” in the audience chamber, part of a dazzling fiber optic network with multi-color capabilities.
Renowned architect Cesar Pelli designed the Performing Arts Center, which opened in 1992, as well as the adjacent Bank of America Corporate Center and Founders Hall. The Center’s name honors the contributions of the people of the state of North Carolina as well as the generosity of the Blumenthal Foundation, the largest private donor to the capital campaign.