Jazz at Lincoln Center with Wynton Marsalis
With the world-renowned Jazz at Lincoln Center Orchestra and guest artists spanning genres and generations, Jazz at Lincoln Center produces thousands of performances, education, and broadcast events each season in its home in New York City (Frederick P. Rose Hall, “The House of Swing”) and around the world, for people of all ages. Jazz at Lincoln Center is led by Chairman Clarence Otis, Managing and Artistic Director Wynton Marsalis, and Executive Director Greg Scholl.
The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists. Under Music Director Wynton Marsalis, the Jazz at Lincoln Center Orchestra performs a vast repertoire, from rare historic compositions to Jazz at Lincoln Center-commissioned works, including compositions and arrangements by Duke Ellington, Count Basie, Fletcher Henderson, Thelonious Monk, Mary Lou Williams, Dizzy Gillespie, Benny Goodman, Charles Mingus, and current and former Jazz at Lincoln Center Orchestra members Wynton Marsalis, Wycliffe Gordon, Ted Nash, Victor Goines, Sherman Irby, Chris Crenshaw, and Carlos Henriquez.
Throughout the last decade, the Jazz at Lincoln Center Orchestra has performed with many of the world’s leading symphony orchestras, including the New York Philharmonic; Cleveland Orchestra; Philadelphia Orchestra; Czech Philharmonic; Berlin Philharmonic; Boston Symphony Orchestra; Chicago Symphony Orchestra; London Symphony Orchestra; Sydney Symphony Orchestra; Melbourne Symphony Orchestra; St. Louis Symphony Orchestra; Los Angeles Philharmonic and many others. Marsalis’ three major works for full symphony orchestra and jazz orchestra, All Rise - Symphony No. 1 (1999), Swing Symphony – Symphony No. 3 (2010), and The Jungle – Symphony No. 4 (2016), continue to be the focal point of Jazz at Lincoln Center Orchestra’s symphonic collaborations.
Directions & Parking
A special preferred parking rate of only $10* is available for our patrons in our designated garages.
Bank of America Center Parking Garage
- Entrances at: 150 N. College St. and 290 E. 5th St.
The $10 rate is applicable when parked in the garage after 5pm on weekdays, Monday-Friday. If parked in the garage before 5pm, the $10 rate is void. There is no time restriction for the weekend, Saturday and Sunday.
Getting and Using Your Parking Pass When You Arrive
- Pull the garage entry ticket when you arrive at the designated garage. You will need this to exit!
- Purchase a $10 Blumenthal exit pass at the theater or click here to purchase in advance online. If you would rather purchase by phone, please call 704.335.1010.*
When You Exit
- Insert your garage entry ticket into the yellow slot. Amount due will display on the screen.
- Insert your Blumenthal exit pass in the same yellow slot, with the arrow pointing at slot.
- Gate arm will rise and the screen will display “drive safely.”
*Pre-paid parking is not available day of show.
Bring your pre-purchased parking pass with you to the show and exchange for an exit pass or purchase your exit pass at the box office or parking stations at the show.
Meet the Artists
Wynton Marsalis (Music Director, Trumpet) is the Managing and Artistic Director of Jazz at Lincoln Center. Born in New Orleans, Louisiana in 1961 to a musical family, Mr. Marsalis was gifted his first trumpet at age 6 by Al Hirt. By 8, he began playing in the famed Fairview Baptist Church Band led by Danny Barker. Yet it was not until he turned 12 that Marsalis began his formal training on the trumpet. Subsequently, Wynton began performing in bands all over the city, from the New Orleans Philharmonic and New Orleans Youth Orchestra to a funk band called the Creators. His passion for music rapidly escalated. As a young teenager fresh out of high school, Wynton moved to New York City in 1979 to attend The Juilliard School to study classical music. Once there, however, he found that jazz was calling him. His career quickly launched when he traded Juilliard for Art Blakey’s band, The Jazz Messengers. By 19, Wynton hit the road with his own band and has been touring the world ever since. From 1981 to date, Wynton has performed 4,777 concerts in 849 distinct cities and 64 countries around the world. Mr. Marsalis made his recording debut as a leader in 1982 and has since recorded 110 jazz and classical albums, four alternative records, and released five DVDs. In total, he has recorded 1,539 songs at the time of this writing. Marsalis is the winner of 9 GRAMMY Awards, and his oratorio Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. He’s the only musician to win a GRAMMY Award in two categories, jazz and classical, during the same year (1983, 1984).
Mr. Marsalis has solidified himself as an internationally acclaimed musician, composer and bandleader, educator and advocate of American culture. As a composer, his body of work includes over 600 original songs, 11 ballets, four symphonies, eight suites, two chamber pieces, one string quartet, two masses, one violin concerto, and in 2021, a tuba concerto. Included in this rich body of compositions is Sweet Release; Jazz: Six Syncopated Movements; Jump Start and Jazz; Citi Movement/Griot New York; At the Octoroon Balls; In This House, On This Morning; and Big Train. As part of his work at Jazz at Lincoln Center, Wynton has produced and performed countless new collaborative compositions, including the ballet Them Twos, for a 1999 collaboration with the New York City Ballet. That same year, he premiered the monumental work All Rise, commissioned and performed by the New York Philharmonic along with the Jazz at Lincoln Center Orchestra and the Morgan State University Choir. All Rise was performed with the Tulsa Symphony Orchestra as part of the remembrance of the centennial anniversary of the Tulsa Race Massacre in June 2021. Since the onset of the COVID-19 pandemic, Wynton and the Jazz at Lincoln Center Orchestra have released 7 full-length albums and 4 singles on Blue Engine Records.
Mr. Marsalis is also a globally respected teacher and spokesman for music education. For Jazz, Wynton led the effort to construct Jazz at Lincoln Center’s new home–Frederick P. Rose Hall–the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004. He conducts educational programs for students of all ages and hosts the popular Jazz for Young People™ concerts produced by Jazz at Lincoln Center. In addition to his work at JALC, Wynton is also the Founding Director of Jazz Studies at the Juilliard School. Mr. Marsalis has written and is the host of the video series “Marsalis on Music,” the radio series “Making the Music,” and a weekly conversation series titled “Skain’s Domain.” He has written and co-written nine books, including two children’s books, Squeak, Rumble, Whomp! Whomp! Whomp! and Jazz ABZ: An A to Z Collection of Jazz Portraits, both illustrated by Paul Rogers. Wynton has received such accolades as having been appointed Messenger of Peace by United Nations Secretary-General Kofi Annan (2001), The National Medal of Arts (2005), The National Medal of Humanities (2016). In December 2021, Marsalis and Jazz at Lincoln Center were awarded the Key to New York City by Mayor Bill de Blasio. Marsalis has received honorary doctorates from 39 universities and colleges throughout the U.S, including Harvard, Yale, Princeton, and Tulane University in New Orleans. Wynton Marsalis’ core beliefs and foundation for living are based on the principles of jazz. He promotes individual creativity (improvisation), collective cooperation (swing), gratitude and good manners (sophistication), and faces adversity with persistent optimism (the blues).
Abdias Armenteros (Tenor and Soprano Saxophones, Clarinet) is a native of Miami, Florida, where he attended New World School of the Arts High School. He began to play the saxophone at the age of 8 and began to play jazz in the 9th grade. After getting into New World, he was able to travel to places like New York City to compete in events like Essentially Ellington with the jazz band (which the school won in 2016), and Kagoshima, Japan, representing the city of Miami and the United States by being the only non-Asian group to perform in the Kagoshima Asian Arts Youth Festival. He has also done various summer programs such as the Brubeck Summer Jazz Colony and the Summer Jazz Academy with Jazz at Lincoln Center. Abdias is currently in his 1st year of his Master's degree at Juilliard as a Jazz Studies Major after completing his undergraduate degree at the prestigious school. Since being in New York, he has shared the bandstand with world-renowned artists like Wynton Marsalis, Ben Vereen, Aloe Blacc, Victor Lewis, Arlo Parks, and performs regularly at different clubs and venues in the city with other well-known musicians in the city while continuing his studies at school. Abdias is a firm believer that music is healing, and we’re living in a time where we need healing the most.
Obed Calvaire (Drums, JLCO), a native of Miami and of Haitian descent, is a graduate with both a master and bachelor’s degree of music from one of America’s premiere private music conservatories in the nation, Manhattan School of Music. He received his bachelor’s degree in 2003, completing the undergraduate degree requirements in three years and receiving his master’s in 2005. Calvaire has performed and recorded with artists such as Wynton Marsalis, Seal, Eddie Palmieri, Vanessa Williams, Richard Bona, SFJazz Collective, David Foster, Mary J. Blige, Stefon Harris, The Clayton Brothers Quintet, Mike Stern, Kurt Rosenwinkel, Peter Cincotti, Monty Alexander, Music Soulchild, Nellie McKay, Yellow Jackets, Joshua Redman, Steve Turre, and Lizz Wright. He has also performed with large ensembles such as the Village Vanguard Orchestra, Metropole Orchestra, the Mingus Big Band, Maria Schneider, Roy Hargrove big band, and the Bob Mintzer Big Band. Currently, Obed Calvaire can be found playing with the Jazz at Lincoln Center Orchestra, Dave Holland, Sean Jones, Yosvany Terry, among others.
Chris Crenshaw (Trombone, JLCO) was born in Thomson, Georgia on December 20, 1982. Since birth, he has been driven by and surrounded by music. Playing piano since age three, his love for piano led to his first gig with Echoes of Joy, his father Casper’s gospel quartet group. He started playing the trombone at 11 eventually studying with Steve Pruitt, Dr. Douglas Farwell, and Wycliffe Gordon. He attended Thomson High School, Valdosta State University, and the Juilliard School earning a Master’s Degree in Jazz Studies in 2007. In 2006 after a year at Juilliard, Crenshaw joined the Jazz at Lincoln Center Orchestra and has contributed to the JLCO as a trombonist, composer, arranger, transcriber, and conductor. He has appeared as a sideman on fellow JLCO trumpeter Marcus Printup’s Ballads All Night. In 2012 he composed God’s Trombones, a spiritually focused work which was premiered by the orchestra at Jazz at Lincoln Center. In 2017, Crenshaw was commissioned to write an original suite called “The Fifties: A Prism” based on jazz in the 1950s. Along with “The Fifties…,” he also has an album with his own group The Georgia Hornsentitled “Live at Dizzy’s Club.”
Vincent Gardner (Trombone, JLCO) was born in Chicago in 1972 and was raised in Hampton, Virginia. After singing, playing piano, violin, saxophone, and French horn at an early age, he decided on the trombone at age 12. He attended Florida A&M University and the University of North Florida. He soon caught the ear of Mercer Ellington, who hired Gardner for his first professional job. He moved to Brooklyn, New York after graduating from college, completed a world tour with Lauryn Hill in 2000, and then joined the Jazz at Lincoln Center Orchestra. Gardner has served as Instructor at The Juilliard School, as Visiting Instructor at Florida State University and Michigan State University, and as Adjunct Instructor at The New School. He is currently the Director of the Jazz at Lincoln Center Youth Orchestra, and he has contributed many arrangements to the Jazz at Lincoln Center Orchestra and other ensembles. In 2009 he was commissioned by Jazz at Lincoln Center to write The Jesse B. Semple Suite, a 60 minute suite inspired by the short stories of Langston Hughes. In addition, Gardner is a popular instructor at Jazz at Lincoln Center’s ongoing jazz education program, Swing University, teaching courses on bebop and more. Gardner is featured on a number of notable recordings and has recorded five CDs as a leader for Steeplechase Records. He has performed with The Duke Ellington Orchestra, Bobby McFerrin, Harry Connick, Jr., The Saturday Night Live Band, Chaka Khan, A Tribe Called Quest, and many others. Gardner was chosen as the #1 Rising Star Trombonist in the 2014 DownBeat Critics Poll.
Victor Goines (Tenor and Soprano Saxophones, Clarinet, Bass Clarinet, JLCO) is a member of the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Septet since 1993, touring throughout the world and recording over twenty-one releases including Marsalis’ Pulitzer Prize-winning recording Blood on the Fields (Columbia Records, 1997) and The Ever Fonky Lowdown (2020), as well as the soundtracks for Ken Burns’ acclaimed documentaries, JAZZ, 1999; Unforgivable Blackness: The Rise and Fall of Jack Johnson, 2004 and The War, 2007. Mr. Goines is an acclaimed solo artist and leads his own quartet. As a leader, Mr. Goines has ten recordings including A Dance at The Mardi Gras Ball (2016), Morning Swing (2013), and Twilight (2012), all from Rosemary Joseph Records. A gifted composer, Goines has more than 200 original works to his credit. His commissions include The Four Winds Suite(2021) and Suite for Bird (2014) for the Music Institute of Chicago; Untamed Elegance (2016) and Crescent City (2014) featuring Branford Marsalis for Jazz at Lincoln Center; Benny: Then, Now, Forever! (2009) for The ASCAP Foundation and Columbia College Chicago with support from the Louis Armstrong Educational Foundation, and Base Line (2002) for the Juilliard School to support the original choreography by Juilliard alumnus Robert Battle and other countless works for hire. Mr. Goines has recorded, performed, and collaborated with many noted jazz and popular artists such as Terence Blanchard, Ruth Brown, Paquito D’Rivera, Dianne Reeves, Dizzy Gillespie, Lionel Hampton, Freddie Hubbard, B.B. King, the Marsalis family, Jimmy Heath, James Moody, Dianne Reeves, Marcus Roberts, and Stevie Wonder. Throughout his career, Goines has been deeply committed to the field of jazz education.In November 2007 he was named director of jazz studies and professor of music at Northwestern University in Evanston, Illinois. Prior to that appointment, Goines was for seven years inaugural artistic director of the jazz program at the Juilliard School and a faculty member in jazz clarinet and saxophone.During his tenure at Juilliard, the department expanded from a collaborative program with Jazz at Lincoln Center to include formal Bachelor and Master of Music degrees.He has also served on the faculties of Florida A&M University, the University of New Orleans, Loyola University in New Orleans, and Xavier University. A native of New Orleans, he began studying clarinet at age eight. He received his Bachelor of Music Education from Loyola University in New Orleans in 1984, and his Master of Music from Virginia Commonwealth University in Richmond in 1990.
Carlos Henriquez (Bass, JLCO) was born in 1979 in the Bronx, New York. He studied music at a young age, played guitar through junior high school and took up the bass while enrolled in The Juilliard School’s Music Advancement Program. He entered LaGuardia High School of Music & Arts and Performing Arts and was involved with the LaGuardia Concert Jazz Ensemble which went on to win first place in Jazz at Lincoln Center’s Essentially Ellington High School Jazz Band Competition & Festival in 1996. In 1998, swiftly after high school, Henriquez joined the Wynton Marsalis Septet and the Jazz at Lincoln Center Orchestra, touring the world and featured on more than 25 albums. Henriquez has performed with artists including Chucho Valdés, Paco De Lucía, Tito Puente, the Marsalis Family, Willie Nelson, Bob Dylan, Stevie Wonder, Lenny Kravitz, Marc Anthony, and many others. He has been a member of the music faculty at Northwestern University School of Music since 2008 and was music director of the Jazz at Lincoln Center Orchestra’s cultural exchange with the Cuban Institute of Music with Chucho Valdés in 2010. His debut album as a bandleader, The Bronx Pyramid, came out in September 2015 on Jazz at Lincoln Center’s Blue Engine Records and his most recent album, The South Bronx Story, was nominated for a Grammy this year.
Sherman Irby (Alto and Soprano Saxophones, Flute, Clarinet, JLCO) was born and raised in Tuscaloosa, Alabama, Sherman began playing music at the age of 12, almost immediately recognizing that it was his life’s calling. Upon graduating high school – during which he had the opportunity to play and record with Gospel immortal James Cleveland – Sherman attended Clark Atlanta University, graduating with a B.A. in Music Education. He joined Atlanta-based piano legend Johnny O’Neal’s quintet in 1991. After moving to New York in 1994, Sherman quickly connected with the fertile and vital scene at Smalls, where he was a regular until 1997. Here Sherman caught the attention of Blue Note Records, for which he recorded his first two albums, Full Circle and Big Mama’s Biscuits, released in 1996 and 1998 respectively. During the Smalls period, Sherman also toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995; was a member of the Lincoln Center Jazz Orchestra from 1995 to 1997 and then rejoined again; recorded and toured with Marcus Roberts and participated in the incomparable Betty Carter’s Jazz Ahead Program during those same years; and began his four year stint with Roy Hargrove in 1997. After departing Roy Hargrove’s ensemble, Sherman shifted his primary focus to his own group. Although this was his primary commitment, Irby took the opportunity to join the final ensemble of the peerless Elvin Jones in 2004, and after Elvin’s passing, joined Papo Vazquez’s Pirates Troubadours. From 2003-2011, Sherman was the regional director for JazzMasters Workshop, a mentoring program for young children. He has served as Artist-in-Residence for Jazz Camp West, and an instructor for the Monterey Jazz Festival Band Camp. He is also a former board member for CubaNOLA Collective. Recognizing the shift in economics of the record industry, Sherman left Blue Note to form Black Warrior Records, releasing Black Warrior, Faith, Organ Starter, Live at The Otto Club, Cerulean Canvas and Andy Farber’s, This Could Be the Start of Something Big. Sherman, along with most members of the JLCO, has arranged much of the vast library of music that they have performed over the past 16 years. He has also been commissioned to compose new works, including Twilight Sounds, his Dante-inspired ballet, Inferno and Musings of Cosmic Stuff. Even with the orchestra’s busy schedule, Sherman was a regular member of the McCoy Tyner Quartet, and continues to perform with his own group, Momentum.
Ryan Kisor (Trumpet, JLCO) was born on April 12, 1973 in Sioux City, Iowa, and began playing trumpet at age four. In 1990, he won first prize at the Thelonious Monk Institute’s first annual Louis Armstrong Trumpet Competition. Kisor enrolled in Manhattan School of Music in 1991 where he studied with trumpeter Lew Soloff. He has performed and/ or recorded with the Mingus Big Band, the Gil Evans Orchestra, Horace Silver, Gerry Mulligan and Charlie Haden’s Liberation Music Orchestra, the Carnegie Hall Jazz Band, the Philip Morris Jazz All-Stars, and others. In addition to being an active sideman, Kisor has recorded several albums as a leader, including Battle Cry (1997), The Usual Suspects (1998), and Point of Arrival (2000). He has been a member of the Jazz at Lincoln Center O chestra since 1994.
Elliot Mason (Trombone, JLCO) was born in England into a family of jazz musicians. Mr. Mason began studying trumpet at age four with his father, who was a trumpet and trombone player/educator. At age seven, struck with an overwhelming curiosity in his father’s trombone, young Mason soon switched his focus from the trumpet. Mr. Mason received a full tuition scholarship to attend Berklee College of Music at age sixteen. After graduating from Berklee at nineteen, Mr. Mason moved to New York City where he distinguished himself as a respected and highly in demand trombone/bass trumpet player. In 2007, Elliot Mason was invited to become a member of the Jazz at Lincoln Center Orchestra, directed by Wynton Marsalis. While continuing to perform with the JLCO, Mr. Mason co-leads the Mason Brothers Quintet with his brother Brad, and leads his own band Cre8tion. Since 2016, Mr. Mason has been a faculty member at the Juilliard School of Music. He also runs his own private music studio in NYC. Mr. Mason is endorsed by B.A.C. musical instruments, and currently plays on his own signature series line of custom trombones that he co-designed.
Ted Nash (Alto and Soprano Saxophones, Flute, Clarinet, Piccolo, JLCO) enjoys an extraordinary career as a performer, conductor, composer, writer and educator. Born in Los Angeles, Nash’s interest in music started at an early age, encouraged by his father, trombonist Dick Nash, and uncle, reedman Ted Nash, both well-known studio and jazz musicians. Nash blossomed early, a “young lion” before the term became marketing vernacular. Ted Nash has been a composer since he was fifteen. His album "Portrait in Seven Shades" was recorded by the Jazz at Lincoln Center Orchestra and was released in 2010. The album features the first composition released by the JLCO featuring original music by a band member other than bandleader Wynton Marsalis. It was credited by Ted Panken in Downbeat Magazine as marking a new direction for the Orchestra. For this work Nash received his first Grammy nomination as best arranger. Nash’s work often addresses and embraces themes of cultural and social importance. He grew up in a household of open-mindedness and social awareness - Nash’s parents, in addition to being wonderful musicians, were civil rights activists whose work helped improve the lives of so many people. Nash’s Grammy-winning recording, “Presidential Suite: Eight Variations on Freedom” won the 2017 Best Large Jazz Ensemble Album Grammy Award. The album includes “Spoken at Midnight,” which won the 2017 Best Instrumental Composition Grammy Award. Nash’s arrangement of “We Three Kings,” featured on the Jazz at Lincoln Center Orchestra with Wynton Marsalis’ Big Band Holidays album, was nominated for the 2017 Best Instrumental Or A Cappella Arrangement Grammy Award. In 2017 Nash received the Composer of the Year award by the Jazz Journalists Association.
Paul Nedezela (Baritone and Soprano Saxophones, Bass Clarinet, JLCO) was born and raised in New York City. He joined the Jazz at Lincoln Center Orchestra in 2014 and has also played with many renowned artists and ensembles, including (in alphabetical order) Ruben Blades, Bill Charlap, Chick Corea, Paquito D'Rivera, Kenny Garrett, Benny Golson, Branford Marsalis, Christian McBride, Kurt Rosenwinkel, Wayne Shorter, Frank Sinatra Jr., and The Vanguard Jazz Orchestra. Paul released his debut album, INTRODUCING PAUL NEDZELA, in 2019. He has performed in Twyla Tharp's Broadway show, Come Fly Away, as well as in major festivals around the world, including but not limited to, The Monterey Jazz Festival, The Newport Jazz Festival, The Detroit Jazz Festival, The Banff Music Festival, The International Montreal Jazz Festival, The iLoveJazz Festival in Brazil, The Valencia Jazz Festival in Spain, The Umbria Jazz Festival in Italy, and The American Festival of the Arts in Doha, Qatar. While still pursuing music, Paul graduated with honors in 2006 from McGill University in Montreal with a Bachelor of Arts degree in mathematics. A recipient of the Samuel L. Jackson scholarship award, he continued his musical education at The Juilliard School and graduated with a Master of Music degree in 2008.
Dan Nimmer (Piano, JLCO) was born in 1982 in Milwaukee, Wisconsin. As a young man, Nimmer’s family inherited a piano and he started playing by ear. He studied classical piano and eventually became interested in jazz. At the same time, he began playing gigs around Milwaukee. Upon graduation from high school, Nimmer left Milwaukee to study music at Northern Illinois University. It didn’t take him long to become one of Chicago’s busiest piano players. Working a lot in the Chicago scene, Nimmer decided to leave school and make the big move to New York City where he immediately emerged in the New York scene. In 2005, a year after moving to New York City, he became a member of both the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Quintet. Nimmer has performed and recorded with Jimmy Cobb, Norah Jones, Willie Nelson, Renée Fleming, Houston Person, Fareed Haque, George Benson, Lewis Nash, and many more. He has released six of his own trio albums on the Venus label (Japan).
Marcus Printup (Trumpet, JLCO) was born and raised in Conyers, Georgia. His first musical experiences were hearing the sanctified and soulful Gospel music his parents (Ann and Bobby), grandparents (J.C.) and older sister (Angela) sang in church. While attending the University of North Florida on a music scholarship, he won the International Trumpet Guild Jazz Trumpet competition. In 1991, Printup’s life changed when he met his mentor, the great pianist Marcus Roberts, who introduced him to Wynton Marsalis. He subsequently joined Roberts as his road manager/understudy for 2 years. 1993 was a banner year for Printup. He performed for the first time with Marsalis in the latter’s collaboration with the New York City Ballet, “Jazz In Six Syncopated Movements” which led to Printup’s induction into the then Lincoln Center Jazz Orchestra. Also during this time, Printup was noticed by Jazz legend, Betty Carter. Ms. Carter invited Printup to be in her inaugural and prestigious “Betty Carter Jazz Ahead” group, performing in a series of concerts at the Brooklyn Academy of Music. Printup has performed and or recorded with Marcus Roberts, Betty Carter, Dianne Reeves, Guru, Madeline Peyroux, Ted Nash, Dianne Schuur, Cyrus Chestnut, and Wycliffe Gordon, among many others. He has recorded over 15 records as a leader, including his most recent “Gentle Rain” (2020) featuring his wife, Riza Printup, on the Harp. He made a big screen appearance in the 1999 movie Playing by Heart and recorded on the film’s soundtrack. Education is extremely important to Printup, as he is an in-demand clinician teaching middle schools, high schools, and colleges across the U.S. and abroad. He also holds the position of Adjunct Professor of Music at Montclair State University. August 22nd has been declared “Marcus Printup Day” in his hometown of Conyers, Georgia.
Kenny Rampton (Trumpet, JLCO) is a New York City-based trumpet player, arranger, and composer, a full-time member of the Jazz at Lincoln Center Orchestra with Wynton Marsalis and is the man behind the sound of the trumpet on the iconic television show Sesame Street. With over three decades of experience as a successful recording and performing artist, Rampton is deeply committed to sharing his passion and knowledge of music with students from around the world. In addition to his role as an education instructor for Jazz at Lincoln Center, Rampton is the founder and artistic director of his own nonprofit educational organization Jazz Outreach Initiative, based in his hometown of Las Vegas, NV. Throughout his long and illustrious career, his signature style and versatility has led to many prestigious engagements, including touring as a member of the Ray Charles Orchestra, performing with notable jazz artists and ensembles such as Illinois Jacquet, Lionel Hampton, Gunther Schuller, The Christian McBride Big Band, The Chico O’Farrill Afro-Cuban Jazz Orchestra, Bebo Valdes’ Afro-Cuban All-Stars, and The Mingus Big Band, and playing in a multitude of Broadway shows, including Anything Goes, Finian’s Rainbow, Gentlemen Prefer Blondes, The Wiz, Young Frankenstein, The Color Purple, Spamalot, The Producers, In the Heights, and Chicago. Rampton has also worked with several pop artists and groups, including Katy Perry, Matchbox Twenty, and Chaka Khan. In addition to his trumpet playing, Rampton is an accomplished composer and bandleader in his own right. “Until Next Time,” an original composition from his first solo album, Moon Over Babylon, was featured in the 2017 Broadway revival of Six Degrees of Separation. In 2015, Rampton collaborated with NYC Blues Hall of Fame artist Bill Sims, Jr. on the music for Paradise Blue, a play written by award-winning playwright Dominique Morisseau and directed by Ruben Santiago-Hudson. In 2018, Rampton expanded his music for the play into “The Paradise Blue Suite,” which he premiered with the Kenny Rampton Octet at Dizzy’s Club at JALC. He enjoys teaching private students from all over the world and has taught trumpet as an adjunct faculty member at The New School in New York City.
Belk Theater features state-of-the-art equipment, production and support capabilities and can host any event, from grand opera to rock to corporate annual meetings and lectures.
The theater features a contemporary European horseshoe arrangement for an intimate atmosphere and world-class acoustics. The most distant seat is less than 135 feet from the stage.
A hallmark of the theater’s design is some 2,400 “points of light” in the audience chamber, part of a dazzling fiber optic network with multi-color capabilities.
Renowned architect Cesar Pelli designed the Performing Arts Center, which opened in 1992, as well as the adjacent Bank of America Corporate Center and Founders Hall. The Center’s name honors the contributions of the people of the state of North Carolina as well as the generosity of the Blumenthal Foundation, the largest private donor to the capital campaign.