"The greatest guitarist in the world."- Eric Clapton
“Albert is in every sense of the word, a genuine guitar wizard".- Earl Scruggs
“When Saint Peter asks me to chronicle my time down here on earth, I'll be able to say - with pride if that's allowed - that for a while I played rhythm guitar in a band with Albert Lee."- Emmylou Harris
Guitar legend ALBERT LEE first came to prominence during a 1964-68 stint in British Blues and R & B stalwarts Chris Farlowe’s Thunderbirds. After working in the UK bands for touring country acts such as Bobby Bare and Skeeter Davis, Lee’s next full-time berth was two years with the UK answer to the Flying Burrito Brothers and Nitty Gritty Dirt Band-Head, Hands, and Feet. His reputation grew and session work blossomed, including appearances on “The London Bo Diddley Sessions” for Chess and Jerry Lee Lewis’ “The London Sessions”. This and other work with U.S. based greats led to a permanent position in the Crickets, and by the time that ended Albert had long since made Southern California his home. There he became friendly with Don Everly, who had also settled in Southern California; they played regularly on a formal and informal basis, with Albert contributing to Don’s 1974 solo effort “Sunset Towers”. The move to California also led to work on sessions for the debut album of Jackson Browne.
Lee joined Joe Cocker’s band in the mid-70s, a time that included recordings for the April 1976 release “Stingray”. From there A & M Records signed Albert as an artist in his own right. The solo album’s completion was delayed by constant studio and touring work, primarily in Emmylou Harris’ Hot Band; in 1976 Albert replaced James Burton when Burton left to continue work with Elvis Presley’s TCB band. The Emmylou Harris albums “Luxury Liner” (Jan. 1977), “Quarter Moon in a Ten Cent Town” (Jan. 1978) “Blue Kentucky Girl” (April 1979), “Roses in the Snow” (May 1980, recorded July 1979), and “Evangeline” (Jan 1981, recorded 1978-80) all include Albert. He ended his touring tenure with the Hot Band to complete his solo album, and “Hiding” was finally released in 1979.
An invitation around the Christmas season in 1978 led to a five-year adventure for Albert in Eric Clapton’s band. The live album “Just One Night”, recorded at Budokan in December 1979, was the first release (April 1980) to feature Albert. “Another Ticket” (Feb. 1981), “Time Pieces Vol 2-Live in the 70s” (1983), and “Money and Cigarettes” (Feb. 1983) all were part of Albert’s tenure with Eric.
His studio work in this period continued, including contributions to three albums by Rosanne Cash: 1979’s “Right or Wrong”, 1981’s “Seven Year Ache”, and 1982’s “Somewhere in the Stars”. Other sessions included work with Dave Edmunds, Rodney Crowell, Nanci Griffith, Carlene Carter, and countless others. His solo efforts continued as well, with the self-titled “Albert Lee” in 1982, and instrumental releases on MCA- the acclaimed “Speechless” (1986) and “Gagged But Not Bound” (1987).
When the Everly Brothers reunited on September 23, 1983 at London’s Royal Albert Hall, Albert was on hand as guitarist and Musical Director. He continued in that role for over 20 years until the Brothers retired. An invitation in 1987 by steel guitarist Gerry Hogan for Albert to play his annual festival led to the formation of Albert Lee and Hogan’s Heroes, who remain an active touring force in the UK and Europe- and a recording force worldwide, with 7 albums to their credit. The DVD “Live at the Tivoli” was released in 2011, and the new CD, “On the Town Tonight” was released on February 14, 2012.
Albert remains an occasional member of the Crickets, and tours regularly with Bill Wyman’s Rhythm Kings. Sugar Hill Records released Albert’s solo efforts “Heartbreak Hill” in 2003 and “Road Runner” in 2006. A summer 2011 jaunt with John Jorgenson prompted Albert to form his own U.S. band for the very first time.
The Albert Lee Band includes John Thomas, aka “J.T’, on keyboards. J.T.’s musical resume includes 23 years with Bruce Hornsby, who graciously called John “the greatest keyboard player in the band.” Emmylou Harris, Don Henley, Sparks, Tracy Chapman and a host of other have called upon John’s gifts. Bass player Will MacGregor’s credits are a testament to his wide-ranging talents, having worked with the likes of the Pretenders, Pat Boone, Exene Cervenka, and more.
Directions & Parking
A special preferred parking rate of only $5* is available for our patrons in our designated garage.
Bank of America Center Parking Garage
- Enter on Trade or 5th Streets between N. College and N. Brevard Streets.
The $5 rate is applicable when parked in the garage after 5pm on weekdays, Mon – Fri. If parked in the garage before 5pm, the $5 rate is void. There is no time restriction for the weekend, Sat & Sun.
GETTING AND USING YOUR PARKING PASS WHEN YOU ARRIVE
- Pull the garage entry ticket when you arrive at the designated garage. You will need this to exit!
- Purchase a $5 Blumenthal exit pass at the theater or >click here to purchase in advance online. If you would rather purchase by phone, please call 704.335.1010*
WHEN YOU EXIT
- Insert your garage entry ticket into the yellow slot. Amount due will display on the screen.
- Insert your Blumenthal exit pass in the same yellow slot, with the arrow pointing at slot.
- Gate arm will rise and screen will display “drive safely.”
*Pre-paid parking is not available day of show.
>Purchase your Parking Exit Pass in Advance
The Booth Playhouse is located on the upper level of Founders Hall. Take the Bank of America Center Parking Garage elevator to the 6th level. Go through the Bank of America Center and cross the over-street walkway into Founders Hall. The Booth Playhouse will be on your immediate right.
Booth Playhouse at Blumenthal Performing Arts Center is located in Founders Hall and contains 434 seats in its orchestra and gallery levels.
It hosts a variety of dance, choral and other musical ensembles, as well as meetings, seminars and workshops.